Showing posts with label UK. Show all posts
Showing posts with label UK. Show all posts

Sunday, 20 July 2025

A Turn of Phrase

Copyright is a very confusing field. In the United Kingdom, this confusion is exacerbated by a common phrase. In British English, Public Domain is commonly used to refer to things are known to the public and has no bearing to the protected status of a concept or piece of media.

 There are many examples I can choose from, so I've picked the most recent. On the BBC iPlayer there is a documentary series on the July 2005 bombings, commonly known in the UK as the 7/7 bombings, as thankfully the second round of bombings on the 21st of July all failed. During the documentary, a senior anti-terrorism officer for the Metropolitan police used the phrase public domain. He's not talking about fair use or copyright, he's referring to a press conference and the disclosures of his superior Ian Blair (no relation to Tony Blair). The reason he's using that term is to shield himself from potential criticism or prosecution under the UK's strict slander and libel laws. By referring to the contentious subject as being in the public domain he's stating that he's comments are based on what was widely available at the time, so if his comments cross the line and a legal challenge was initiated he can fall back on that. It's quite similar to the American way of adding `allegedley` to the end of a serious accusation or criticism. You're not saying it's a hundred percent accurate and true, you're commenting on an existing allegation. 

 I trust the grounds for confusion are obvious, but it's not completely wrong to use the term in this manner. Using public domain as synonym for publicly available is sort of true in regard to facts and popular opinions. You can cease and desist a video distributor and DMCA music remixers, but you can't make the public `unknow` or `unhear` a fact or opinion. That's the alleged harm that IP owners of academic journals and the image consultants of powerful people allege when unauthorised disclosures happen. By leaking or accidentally sharing the results of a study, you've de facto removed the control or `right` of the legal owners to use it as they wish. 

 My only issue is that since awareness of copyright and the Public Domain is increasing year-on-year, I'm worried that some people will be confused by the phrase and start using material that's still copyrighted and thus be vulnerable to action. I know that's not an unfounded fear because several years ago I was involved in just such a dispute. After leaving University I struggled to find work, I became a freelancer, mainly writing copy, the odd paid consumer review and photography. It's the latter that concerns us here. After a trip to London with some friends, I uploaded my photos to Facebook. Two days later in the local newspaper I found to my surprise some of those photographs, and even stranger, credited to someone else. I didn't recognise the name, but they were absolutely my photographs. 

I contacted the newspaper providing proof of ownership, and they replied with an apology, agreed to print a correction in a later issue and gave me the contact details of the person who submitted them. Turned out is one of my circle of friends, though friends was a bit of a stretch. Annoyed, I emailed them telling them I knew what they did and that I was not happy with them. They didn't take it very well. The one excuse they kept coming back to was that the photos were in the public domain, which they weren't remotely, at the time I was still taking client work so didn't release copyrights on any of my work as I was still building my portfolio. I did occasionally release some works under a creative commons' licence, which specified attribution, but that wasn't the case for those photos. Honestly, it happened so quickly I hadn't had time to decide what I was going to do with them, I just uploaded them to Facebook for my friends to see while I decided if they were worth using for something else. 

Still, the incident was quite revealingly, it became clear that the misunderstanding meant he was only concerned about legal consequences. Had I given my photos to the public domain, that wouldn't explain or excuse pretending he had taken them and submitting them for credit*. That's plagiarism and a rotten way to treat someone, especially a friend. My ex-friend's photography adventures ended at that point. 

 So, what's the solution? Well, I try to switch from public domain to public sphere or some other synonym when it comes up in my life. Currently, I don't know of anyone getting into trouble for the misunderstanding, and if someone is unlucky enough to get dragged through the courts then I think the issue will be resolved pretty quickly.

*I had got to know the photographers for the local paper and they confirmed no money changed hands. 

Saturday, 25 January 2025

UK News - Prohibit publishers irrevocably disabling video games they have already sold

 


 

 You may remember the EU wide initiative to expand consumer protections for video games, the Stop Killing Games initiative. Well, the same network of activists is working in other areas and has launched or re-launched a similar initiative in the United Kingdom.

Currently, the British campaign is at the petition stage. If you're a UK citizen, you can sign the petition here. The text of the petition reads as follows.

The government should update consumer law to prohibit publishers from disabling video games (and related game assets / features) they have already sold without recourse for customers to retain or repair them. We seek this as a statutory consumer right.

 Most video games sold can work indefinitely, but some have design elements that render the product non-functional at a time which the publisher controls, with no date provided at sale. We see this as a form of planned obsolescence, as customers can be deprived of their purchase and cannot retain or repair the game. We think this practice is hostile to consumers, entirely preventable, and have concerns existing laws do not address the problem. Thus, we believe government intervention is needed.

The deadline is 14th of July 2025. UK government petitions have to pass through a committee to get published online to collect signatures and there are two thresholds, the first is 10,000 verified signatures which triggers a response from the government regarding whatever the petition is about. Then at 100,000 or more signatures, the issue raised in the petition must be debated in parliament. So far the number of signatures is over 12,000, so a formal response is guaranteed, though the show of support on the issue would be strengthened if it hit that second threshold. Incidentally the EU wide initiative has stalled somewhat so if you're an EU citizen better sign before its too late.

Friday, 28 October 2022

Imperial propaganda - The House that John Built


 The British Empire dominated much of the earth for several hundred years. To some this statement is a strange source of pride, an attitude of toxic superiority. For others this is something to feel embarrassed about. What's strange to me is that the Empire is barely talked about in modern Britain, its legacy is inescapable, but outside of history modules and specialised programming and literature its relegated in general discussions to vague mentions, this is true for positive (usually something about trains and ending slavery) and negatives, war, occupation and slave trading etc. 

So this short piece of early British animation The House that John Built is very interesting to me. Produced in 1928 by the Empire Marketing Board, the short was deisgined to have a wide audience, and was a forum for the Empire to justify and promote itself. I was surprised how it chose to do it. In this short Britain and the Empire are shown in purely economic terms. The greatness of both is shown first in their agricultural and cattle production, and then cemented by translating that bounty into a value in Imperial pounds. No talk of civilisation, or global stability, just animals representing statistics that showed annual growth in exports and imports. 

The Empire is great as it is a great system for the growth of capitalism. You have doubts about our Imperial accomplishments? Nonsense! Just look how well the pork markets were doing in 1925. The House that John Built is not an isolated endeavour. The Empire Marketing Board sponsored many marketing pushes to drive home the economic power of the Empire and to encourage purchasing. Economic patriotism from Canada to Australia, Nile to Cape Town. Looking back I find this revealing, while the talk of civilising the wild lands, and building technological progress have lingered on in the popular imagination, its clear from looking at the evidence of the time that as far as the Empire builders were concerned, the Empire was first and foremost a means to do business and enrich themselves. 



Friday, 20 May 2022

1920: The Soldier and the King

 

An old soldier runs alongside the King’s carriage at the Epsom Derby in 1920 hoping for some money, but all he gets is indifference. Found by Davenant

This photograph is a glimpse into the crisis of disabled and permanently injured servicemen in the aftermath of the First World War. In addition to millions killed outright, physical and mental injuries inflicted much suffering for years after. There was little relief in place for them, in the United Kingdom a private charity was established to raise funds to assist disabled servicemen into work. Which seems noble, but an open aim of the charity was to argue against state support systems. They made a film in 1918 to promote their work, called Broken in the Wars.



The film is an early example of a docudrama, using actors to portray people in conditions as close to reality as possible. Until the Labour MP shows up anyway. When I see the photo up top shared online, I see some incredulity over it, since the man in the photo is wearing a suit. I don't get the issue, it's clearly old and well-worn. It reminds me of the disgusting attitude directed against rough sleepers who have some money on their person. I guess we haven't changed as much as we'd like.

 

Thursday, 24 March 2022

Public Domain Film's in the United Kingdom

 

As previously stated, copyright is a constant headache by design. One area of special pain is determining the status of motion pictures. Most nations set copyright as dependent on the year of passing of a handful of the creative types who worked on it. Usually the Director, Screenplay Author (principal if more than one) and the Composer for the soundtrack. 

For the UK according to the Office for Intellectual Property the standard is this;

  • Films, 70 years after the death of the director, screenplay author and composer

So we have a framework, but it's a lot more work and potential pitfalls than the old American system, which was set at the year of release. Currently, in 2022 that date is 1926, so all motion pictures released in that year or earlier in the United States are in the public domain, so if we're not sure, we just have to look at its copyright date or if that's missing just check the registration year we think it was released, and we can find out.

For British films and other Berne Convention nations, we have to find out who occupied the director, screenplay author and composer of a film and then track down when they died. In the UK, the public domain date is set at 70 years after death, so for 2022 this means deaths up to 1951 count. So the author George Orwell who passed away in 1950 is in the public domain here, for authors it's a straight forward matter, but for film including some of the oldest and rarest films it's a bit more complicated. Some British film pioneers were surprisingly long-lived.

And while searching "Public domain movies" gives you hundreds of sites and lists for American motion pictures, I haven't been able to find a single one for British films or foreign films for any nation apart from the Soviet Union, which is a topic I'll cover another day. 

So to address that at least a little, I've decided to build my own list. 

 

Title of the filmYear of releaseDirectorDate of deathScreenplay authorDate of deathAuthor of dialogue(if different)Date of deathComposerDate of death
Other information
The Aerial Anarchists1911Walter R Booth1938Walter R Booth1938Silent
Silent
Lost
The Airship Destroyer1909Walter R Booth1938Walter R Booth1938Silent
Silent

The Miser's Doom1899Walter R Booth1938Walter R Booth1938Silent
Silent

Upside Down; or, the Human Flies1900Walter R Booth1938Walter R Booth1938Silent
Silent

A Railway Collision1900Walter R Booth1938Walter R Booth1938Silent
Silent

The Haunted Curiosity Shop1901Walter R Booth1938Walter R Booth1938Silent
Silent

Artistic Creation1901Walter R Booth1939Walter R Booth1939Silent
Silent

An Over Incubated Baby1901Walter R Booth1938Walter R Booth1938Silent
Silent

Cheese Mites, or Lilliputians in a London Restaurant1901Walter R Booth1939Walter R Booth1939Silent
Silent

Scrooge or Marley's Ghost1901Walter R Booth1938Walter R Booth1938Silent
Silent
The Magic Sword1901Walter R Booth1938Walter R Booth1938Silent
Silent

Undressing Extraordinary1901Walter R Booth1938Walter R Booth1938Silent
Silent
Also known as the Troubles of a Tired Traveller https://en.wikipedia.org/wiki/Undressing_Extraordinary
The Extraordinary Waiter1902Walter R Booth1938Walter R Booth1938Silent
Silent

An Extraordinary Cab Accident1903Walter R Booth1938Walter R Booth1938Silent
Silent
Is Spiritualism a Fraud?1906Walter R Booth1938Walter R Booth1938Silent
Silent

The Ariel Submarine1910Walter R Booth1938Walter R Booth1938Silent
Silent

The Waif and the Wizard1901Walter R Booth1938Walter R Booth1938Silent
Silent

The`?` Motorist1906Walter R Booth1938Walter R Booth1938Silent
Silent
Willie's Magic Wand1907Walter R Booth1939Walter R Booth1939Silent
Silent
The Automatic Motorist1911Walter R Booth1938Walter R Booth1938Silent
Silent
À propos de Nice1930Jean Vigo1934Jean Vigo1934N/A
N/A

Jean Taris, Swimming Champion1931Jean Vigo1934Jean Vigo1934N/A
N/A

Zero for Conduct1933Jean Vigo1934Jean Vigo1934Jean Vigo1934Maurice Jaubert1940
L'Atalante1934Jean Vigo1934Jean Vigo1934Jean Vigo1934Maurice Jaubert1940
Little Nemo1911Windsor McCay1934Windsor McCay1934Windsor McCay1934Silent

The Story of a Mosquito1912Windsor McCay1934Windsor McCay1934Windsor McCay1934Silent

Gertie the Dinosaur1914Windsor McCay1934Windsor McCay1934Windsor McCay1934Silent

The Sinking of the Lusitania1918Windsor McCay1934Windsor McCay1934Windsor McCay1934Silent
Bug Vaudeville1921Windsor McCay1934Windsor McCay1934Windsor McCay1934Silent

The Flying House1921Windsor McCay1934Windsor McCay1934Windsor McCay1934Silent

The Centaurs1921Windsor McCay1934Windsor McCay1934Windsor McCay1934Silent
Gertie on Tour1918-21Windsor McCay1934Windsor McCay1934Windsor McCay1934Silent

Flip's Circus1918-21Windsor McCay1934Windsor McCay1934Windsor McCay1934Silent

The Great Train Robbery1903Edwin S. Porter1941Scott Marble1919N/A
Silent
Dream of a Rarebit Fiend1906Edwin S. Porter and Wallace McCutcheon Sr.1941 (Porter) 1918 (McCutcheon)Windsor McCay1934N/A
Silent
The Seven Ages1905Edwin S. Porter1941Edwin S. Porter1941N/A
Silent

The Kleptomaniac1905Edwin S. Porter1941Edwin S. Porter1941Edwin S. Porter1941Silent

Terrible Teddy, the Grizzly King1901Edwin S. Porter1941Edwin S. Porter1941N/A
Silent

The Count of Monte Cristo1912Colin Campbell1928Colin Campbell1928N/A
Silent
Lost
Major Wilson's Last Stand1899Frank E.Fillis1921Frank E. Fillis1921N/A
Silent
Lost?
A Primitive Man's Career to Civilization1912Cherry Kearton1940N/A
N/A
Silent
Lost?
Scrooge1913Leedham Bantock1928Leedham Bantock1928N/A
Silent
released in 1926 in the US under the title Old Scrooge
Called Back1914George Loane Tucker1921Comyns Carr1916N/A
Silent

She Stoops to Conquer1914George Loane Tucker1921Bannister Merwin1921N/A
Silent

Trilby1914Harold M. Shaw1926N/A
N/A
Silent

Iron Justice1915Sidney Morgan1946Sidney Morgan1946N/A
Silent

The Brass Bottle1914Sidney Morgan1946N/A
N/A
Silent
Lost
The World's Desire1915Sidney Morgan1946N/A
N/A
Silent

Auld Lang Syne1917Sidney Morgan1946Sidney Morgan1946N/A
Silent

Democracy1918Sidney Morgan1946Sidney Morgan1946N/A
Silent

Because1918Sidney Morgan1946Sidney Morgan1946N/A
Silent

Sweet and Twenty1919Sidney Morgan1946Sidney Morgan1946N/A
Silent

After Many Days1919Sidney Morgan1946Sidney Morgan1946N/A
Silent

All Men are Liars1919Sidney Morgan1946Sidney Morgan1946N/A
Silent

Lady Noggs1920Sidney Morgan1946Sidney Morgan1946N/A
Silent
Also known as Lady Noggs; Peeress
A Man's Shadow1920Sidney Morgan1946Robert Buchanan1901N/A
Silent

The Black Sheep1920Sidney Morgan1946Sidney Morgan1946N/A
Silent

Little Dorrit1920Sidney Morgan1946Sidney Morgan1946N/A
Silent

The Woman of the Iron Bracelets1920Sidney Morgan1946Sidney Morgan1946N/A
Silent

The Scarlet Wooing1920Sidney Morgan1946Sidney Morgan1946N/A
Silent

By Berwin Banks1920Sidney Morgan1946Hugh Croise1950N/A
Silent

Moth and Rust1921Sidney Morgan1946Sidney Morgan1946N/A
Silent

The Mayor of Casterbridge1921Sidney Morgan1946Thomas Hardy1928N/A
Silent

The Lilac Sunbonnet1922Sidney Morgan1946Sidney Morgan1946N/A
Silent

Fires of Innocence1922Sidney Morgan1946Sidney Morgan1946N/A
Silent

A Lowland Cinderella1922Sidney Morgan1946S.R.Crockett1914N/A
Silent

The Woman who Obeyed1923Sidney Morgan1946Alicia Ramsey1933N/A
Silent

Miriam Rozella1924Sidney Morgan1946Sidney Morgan1946N/A
Silent

Bulldog Drummond's Third Round1925Sidney Morgan1946Sidney Morgan1946N/A
Silent

A Window in Piccadilly1928Sidney Morgan1946Sidney Morgan1946N/A
Silent

The Thoroughbred1928Sidney Morgan1946Sidney Morgan1946N/A
Silent

Her Reputation1931Sidney Morgan1946Sidney Morgan1946Sidney Morgan1946Silent

Scrooge1923Edwin Greenwood1939Eliot Stanard1939Eliot Stanard1939Silent

The Black Spider1920William J. Humphrey1942Carlton Dawe1935N/A
Silent

Thelma1918Arthur Rooke and A.E. Colby1930 (A.E.Colby) 1947 Arthur RookeMarie Correlli1924N/A
Silent

God's Clay1919Arthur Rooke1947Arthur Rooke1947N/A
Silent

The Garden of Ressurection1919Arthur Rooke1947Guy Newall1937N/A
Silent

The Lure of Crooning Water1920Arthur Rooke1947Guy Newall1937N/A
Silent

The Mirage1920Arthur Rooke1947Guy Newall1937N/A
Silent

The Mirage1920Arthur Rooke1947Guy Newall1937N/A
Silent

Brenda of the Barge1920Arthur Rooke1947Arthur Rooke1947N/A
Silent

The Blue Peter1928Arthur Rooke1947E. Temple Thurston1933N/A
Silent

The Education of Nicky1921Arthur Rooke1947Arthur Rooke1947N/A
Silent

The Sport of Kings1921Arthur Rooke1947Arthur Rooke1947N/A
Silent

A Bachelor's Baby1922Arthur Rooke1947Lydia Hayward1945N/A
Silent

A Sporting Double1922Arthur Rooke1947Arthur Rooke1947N/A
Silent

The Gay Corinthian1924Arthur Rooke1947Elliot Stannard1944N/A
Silent

The Diamond Man1924Arthur Rooke1947Elliot Stannard1944N/A
Silent

Nets of Destiny1924Arthur Rooke1947Elliot Stannard1944N/A
Silent

The Conjure Woman1926Oscar Micheaux1951Oscar Micheaux1951N/A
Silent
Private film
Shanghai During the Japanese Attack on China1938Anthony Hastings George1944N/A
N/A
Silent

 


Labels

1770s (1) 1810s (2) 1820s (1) 1880s (2) 1890s (6) 1900s (5) 1910s (9) 1920s (17) 1930s (11) 1940s (13) 1950s (5) 1960s (4) 1970s (6) 1980s (1) 2000s (2) 2010s (1) 2020s (4) Activism (1) Adverts (1) Animation (8) archive matters (1) Canada (1) comics (5) Copyright Reform (2) Disney (6) Documentaries (3) Drama (2) Essays (40) Europe (1) Fantasy (4) Film (21) George Orwell (10) Germany (2) Greta Garbo (1) horror (4) images (12) Japan (1) LGBTQ (1) music (1) news (2) Newspapers (1) Newsreels (3) Noir (1) Open Media (3) pamphlets (4) photography (1) poetry (6) Reviews (4) Robert frost (1) Romance (2) Science Fiction (4) Silent (3) texts (36) thrillers (1) trademarks (2) translation (1) UK (5) Videogames (3) War movies (3) Westerns (1)