Showing posts with label poetry. Show all posts
Showing posts with label poetry. Show all posts

Thursday, 28 May 2026

1922: The Laws of God, The Laws of Man by A.E. Housman

 

Black and white photo depicting A.E. Housman in deep thought.

The laws of God, the laws of man,
He may keep that will and can;
Not I: let God and man decree
Laws for themselves and not for me;
And if my ways are not as theirs
Let them mind their own affairs.
Their deeds I judge and much condemn,
Yet when did I make laws for them?
Please yourselves, say I, and they
Need only look the other way.
But no, they will not; they must still
Wrest their neighbor to their will,
And make me dance as they desire
With jail and gallows and hell-fire.
And how am I to face the odds
Of man’s bedevilment and God’s?
I, a stranger and afraid
In a world I never made.
They will be master, right or wrong;
Though both are foolish, both are strong.
And since, my soul, we cannot fly
To Saturn nor to Mercury,
Keep we must, if keep we can,
These foreign laws of God and man.

 

First published in the 1922 collection Lost Poems.  

Monday, 4 May 2026

1842: Solomon Grundy

 

 

"Here lies ye bodye of Solomon Grundy. Died on Saturday..." An illustration from Clara E. Atwood's 1901 A Book of Nursery Rhymes

 Like many of my generation I encountered the Solomon Grundy rhyme from the Batman games and cartoons. DC Comics have a character inspired by the rhyme*, he's sort of an intelligent zombie like creature equivalent to a Voodoo (in popular culture, not the real religious practices) Zombie. I was surprised to learn just how old the rhyme is, having first appeared in print in 1842 in a collection by James Orchard Halliwell-Phillips. 

 Solomon Grundy,
Born on a Monday,
Christened on Tuesday,
Married on Wednesday,
Took ill on Thursday,
Worse on Friday,
Died on Saturday,
Buried on Sunday.
This is the end
Of Solomon Grundy

As a child I was more family with another day of the week rhyme, Monday's Child. I don't know much about the character or how the rhyme plays into him beyond being dead, but I still think it's a good example of what can come out of a spark of inspiration. 

 

* The Wikipedia page for the character was the top hit when I searched Solomon Grundy without specifying I was looking for a poem. 

Saturday, 28 June 2025

Rudyard Kipling's Boots

 

 

Last weekend, I watched Danny Boyle's 28 Years Later. In addition to having a good time, it introduced me to a poem by Rudyard Kipling. The poem is Boots, and it appeared in a collection of poems in 1903. The poem features in the film, but was also a key part of their marketing in the United Kingdom, the trailers used a recording of the whole poem to great effect.

 If you live in an area that had a different marketing strategy like Japan which still used the recording but in a reduced form, here's the full recording.

Sing along!

We're foot—slog—slog—slog—sloggin' over Africa
Foot—foot—foot—foot—sloggin' over Africa --
(Boots—boots—boots—boots—movin' up and down again!)
There's no discharge in the war!
Seven—six—eleven—five—nine-an'-twenty mile to-day
Four—eleven—seventeen—thirty-two the day before --
(Boots—boots—boots—boots—movin' up and down again!)
There's no discharge in the war!
Don't—don't—don't—don't—look at what's in front of you.
(Boots—boots—boots—boots—movin' up an' down again);
Men—men—men—men—men go mad with watchin' em,
An' there's no discharge in the war!
Count—count—count—count—the bullets in the bandoliers.
If—your—eyes—drop—they will get atop o' you!
(Boots—boots—boots—boots—movin' up and down again) --
There's no discharge in the war!
We—can—stick—out—'unger, thirst, an' weariness,
But—not—not—not—not the chronic sight of 'em,
Boot—boots—boots—boots—movin' up an' down again,
An' there's no discharge in the war!
'Taint—so—bad—by—day because o' company,
But night—brings—long—strings—o' forty thousand million
Boots—boots—boots—boots—movin' up an' down again.
There's no discharge in the war!
I—'ave—marched—six—weeks in 'Ell an' certify
It—is—not—fire—devils, dark, or anything,
But boots—boots—boots—boots—movin' up an' down again,
An' there's no discharge in the war!
Try—try—try—try—to think o' something different
Oh—my—God—keep—me from goin' lunatic!
(Boots—boots—boots—boots—movin' up an' down again!)
There's no discharge in the war!
 

It has a strong effect on me, and the reader does a phenomenal job. The recorder was American actor Taylor Holmes (1899-1959) and the recording was made in 1915, this means that both the poem and the recording are in the Public Domain in most territories.  The point of the poem is to make the general public aware of the dangers of monotony and ceaseless repetitive action and what that does to a person trapped in that cycle. Its a war poem in which no one dies, no one gets shot and no one stands gallantly. 

I'm lucky enough not to have been in a war so far, but I was in the Cadets and I have had a taste of this monotonous action for its own sake. I've also worked in a factory and experienced something very similar to the poor soldier in the poem, hours dedicated to repeating the same action over and over and over again, looking up the line and seeing the product keep coming and never ends, it absolutely does mess with your head and I have seen some people crash emotionally because of it.  

 So, there we are a horror story involving the public domain that's creative and good.

 

Tuesday, 18 February 2025

The Poetry of Phillis Wheatley

 

I've been dipping my toes into poetry. I'm currently working through the poems of Phillis Wheatley. Phillis Wheatley was brought to the American Colonies in 1761 when the slave ship Phillis docked in Boston Harbour. Phillis was named after that ship, and she got the name Wheatley from her purchasers, the Wheatley family. Naming an enslaved person in this manner was a common practice. The Wheatley's were a wealthy Quaker family, they instructed Phillis who showed she had a talent for languages, reading and writing. In 1773 Phillis succeeded in getting a book of poetry Poems on Various Subjects, Religious and Moral published in London. The book, which I am working through, won her praise in high society and shortly after led to her emancipation by the Wheatley's who had enslaved her.  

During the years of the American revolution she sent a poem to George Washington, the following words were written in 1775.

 

Celestial choir! enthron’d in realms of light,
Columbia’s scenes of glorious toils I write.
While freedom’s cause her anxious breast alarms,
She flashes dreadful in refulgent arms.
See mother earth her offspring’s fate bemoan,
And nations gaze at scenes before unknown!
See the bright beams of heaven’s revolving light
Involved in sorrows and the veil of night!

   The Goddess comes, she moves divinely fair,
Olive and laurel binds Her golden hair:
Wherever shines this native of the skies,
Unnumber’d charms and recent graces rise.

   Muse! Bow propitious while my pen relates
How pour her armies through a thousand gates,
As when Eolus heaven’s fair face deforms,
Enwrapp’d in tempest and a night of storms;
Astonish’d ocean feels the wild uproar,
The refluent surges beat the sounding shore;
Or think as leaves in Autumn’s golden reign,
Such, and so many, moves the warrior’s train.
In bright array they seek the work of war,
Where high unfurl’d the ensign waves in air.
Shall I to Washington their praise recite?
Enough thou know’st them in the fields of fight.
Thee, first in peace and honors—we demand
The grace and glory of thy martial band.
Fam’d for thy valour, for thy virtues more,
Hear every tongue thy guardian aid implore!

   One century scarce perform’d its destined round,
When Gallic powers Columbia’s fury found;
And so may you, whoever dares disgrace
The land of freedom’s heaven-defended race!
Fix’d are the eyes of nations on the scales,
For in their hopes Columbia’s arm prevails.
Anon Britannia droops the pensive head,
While round increase the rising hills of dead.
Ah! Cruel blindness to Columbia’s state!
Lament thy thirst of boundless power too late.

   Proceed, great chief, with virtue on thy side,
Thy ev’ry action let the Goddess guide.
A crown, a mansion, and a throne that shine,
With gold unfading, WASHINGTON! Be thine.

Washington was an admirer of Phillis's talents and invited her to visit his estate, I do not know if she took him up on that offer. She married a fellow freed slave John Peters, sadly their attempts to build a family did not work out, none of their three children survived and Phillis herself would die in 1784 aged 31.

 The book is an interesting collection, overall it gives an impression of a sincere convert to Christianity, though the poem "On Being Brought From Africa to America" was somewhat disturbing.

Twas mercy brought me from my Pagan land,
Taught my benighted soul to understand
That there's a God, that there's a Saviour too:
Once I redemption neither sought nor knew.
Some view our sable race with scornful eye,
"Their colour is a diabolic die."
Remember, Christians, Negros, black as Cain,
May be refin'd, and join th' angelic train.

 

It's a bit like reading a poem by an Irishman in 1865 praising the famine because it prompted his conversion to a Protestant church*. Still, it's her life and her experience, and as sanitised as her retelling of the slave trade is it does still chastise racial prejudice, albeit along sectarian lines. 

Much more to my tastes is "Ode to Neptune"

Ode to Neptune

On Mrs. W⁠⸺’s Voyage to England
I

While raging tempests shake the shore, While Aelus’ thunders round us roar, And sweep impetuous o’er the plain Be still, O tyrant of the main; Nor let thy brow contracted frowns betray, While my Susanna skims the wat’ry way.
II

The Pow’r propitious hears the lay, The blue-ey’d daughters of the sea With sweeter cadence glide along, And Thames responsive joins the song. Pleas’d with their notes Sol sheds benign his ray, And double radiance decks the face of day.
III

To court thee to Britannia’s arms Serene the climes and mild the sky, Her region boasts unnumber’d charms, Thy welcome smiles in ev’ry eye. Thy promise, Neptune keep, record my pray’r, Not give my wishes to the empty air.

Boston, October 10, 1772.

 

It's an interesting book, written by a very interesting author. Though, it forces me to reflect on how many others fine and interesting works and lives were taken and wasted in the pursuit of power and profit. And I also wonder how many lives are still being ground down in the illegal slave economy today.

 And I think Phillis Wheatley exposes Washington and the other enslaving rulers of the society of the time for the self-interested charlatans that they were.  Much ink was spilt convincing society that the people of Africa were backward, primitive, not quite full human beings, in need of tutelage and direction. All to distract from the casual and yet brutal violence necessary to reduce a human being to property. But many of these same purchasers of humans were willing to praise and enjoy the works of one of their number while still owning many more and subjecting them to hyper economic exploitation.

 The cover of Wheatley's first printings of her book of poems explicitly mentioned her legal status as a subject of the Wheatley family, and it includes a letter from her owner describing her conditions. Washington et al. knew she was enslaved when she wrote the words they admired, and this did not lead to an epiphany regarding their own treatment of their property either in emancipation nor in reforms to how they treated their enslaved and captive labour forces.

*During the great potato famine, several religious relief organisations would only give aid to protestants.

Tuesday, 24 December 2024

Twas the Night Before Christmas

 

 

 


Twas the Night Before Christmas

A Visit from St. Nicholas

By Clement C. Moore

Twas the night before Christmas, when all through the house
Not a creature was stirring, not even a mouse;
The stockings were hung by the chimney with care,
In hopes that St. Nicholas soon would be there;

The children were nestled all snug in their beds,
While visions of sugar-plums danced in their heads;
And mamma in her ‘kerchief, and I in my cap,
Had just settled down for a long winter’s nap,

When out on the lawn there arose such a clatter,
I sprang from the bed to see what was the matter.
Away to the window I flew like a flash,
Tore open the shutters and threw up the sash.

The moon on the breast of the new-fallen snow
Gave the lustre of mid-day to objects below,
When what to my wondering eyes should appear,
But a miniature sleigh, and eight tiny reindeer,

With a little old driver, so lively and quick,
I knew in a moment it must be St. Nick.
More rapid than eagles his coursers they came,
And he whistled, and shouted, and called them by name;

“Now, DASHER! now, DANCER! now, PRANCER and VIXEN!
On, COMET! on CUPID! on, DONNER and BLITZEN!
To the top of the porch! to the top of the wall!
Now dash away! dash away! dash away all!”

As dry leaves that before the wild hurricane fly,
When they meet with an obstacle, mount to the sky,
So up to the house-top the coursers they flew,
With the sleigh full of toys, and St. Nicholas too.

And then, in a twinkling, I heard on the roof
The prancing and pawing of each little hoof.
As I drew in my hand, and was turning around,
Down the chimney St. Nicholas came with a bound.

He was dressed all in fur, from his head to his foot,
And his clothes were all tarnished with ashes and soot;
A bundle of toys he had flung on his back,
And he looked like a peddler just opening his pack.

His eyes — how they twinkled! his dimples how merry!
His cheeks were like roses, his nose like a cherry!
His droll little mouth was drawn up like a bow,
And the beard of his chin was as white as the snow;

The stump of a pipe he held tight in his teeth,
And the smoke it encircled his head like a wreath;
He had a broad face and a little round belly,
That shook, when he laughed like a bowlful of jelly.

He was chubby and plump, a right jolly old elf,
And I laughed when I saw him, in spite of myself;
A wink of his eye and a twist of his head,
Soon gave me to know I had nothing to dread;

He spoke not a word, but went straight to his work,
And filled all the stockings; then turned with a jerk,
And laying his finger aside of his nose,
And giving a nod, up the chimney he rose;

He sprang to his sleigh, to his team gave a whistle,
And away they all flew like the down of a thistle.
But I heard him exclaim, ere he drove out of sight,
HAPPY CHRISTMAS TO ALL, AND TO ALL A GOOD-NIGHT!

Wednesday, 22 June 2022

The Scab by Jack London

 


The works of Jack London contain several thoughts on the scab, that is, a worker who chooses to work while the rest of the force are striking for improvements, or who takes a job at a workplace while a strike is in effect. 

He dedicated a poem to this phenomena in 1904. 

Ode To A Scab

After God had finished the rattlesnake, the toad, and the vampire, He had some awful substance left with which He made a scab. A scab is a two-legged animal with a corkscrew soul, a waterlogged brain, and a combination backbone made of jelly and glue. Where others have hearts, he carries a tumor of rotten principles.

When a scab comes down the street, men turn their backs and angels weep in heaven, and the devil shuts the gates of hell to keep him out. No man has a right to scab as long as there is a pool of water deep enough to drown his body in, or a rope long enough to hang his carcass with. Judas Iscariot was a gentleman compared with a scab. For betraying his Master, he had character enough to hang himself. A scab hasn't.

Esau sold his birthright for a mess of pottage. Judas Iscariot sold his savior for thirty pieces of silver. Benedict Arnold sold his country for a promise of a commission in the British Army. The modern strikebreaker sells his birthright, his country, his wife, his children, and his fellow men for an unfulfilled promise from his employer, trust, or corporation

Solidarity wins


 He also expanded on this subject with a short story that was published in The Atlantic that same year.



The Scab

“Such is the tangle of conflicting interests in a tooth-and-nail society that people cannot avoid being scabs, are often made so against their desires, and unconsciously.” A short story

Wednesday, 30 March 2022

A Selection of Poetry by Robert Frost


 

Robert Frost - 1874-1963 


The Road Not Taken

(First published in 1916) 

Two roads diverged in a yellow wood,
And sorry I could not travel both
And be one traveler, long I stood
And looked down one as far as I could
To where it bent in the undergrowth;

Then took the other, as just as fair,
And having perhaps the better claim,
Because it was grassy and wanted wear;
Though as for that the passing there
Had worn them really about the same,

And both that morning equally lay
In leaves no step had trodden black.
Oh, I kept the first for another day!
Yet knowing how way leads on to way,
I doubted if I should ever come back.

I shall be telling this with a sigh
Somewhere ages and ages hence:
Two roads diverged in a wood, and I—
I took the one less traveled by,
And that has made all the difference.

 Going for Water

(First published in 1915)

The well was dry beside the door,
  And so we went with pail and can
Across the fields behind the house
  To seek the brook if still it ran;

Not loth to have excuse to go,
  Because the autumn eve was fair
(Though chill), because the fields were ours,
  And by the brook our woods were there.

We ran as if to meet the moon
  That slowly dawned behind the trees
, The barren boughs without the leaves,
  Without the birds, without the breeze.

But once within the wood, we paused
  Like gnomes that hid us from the moon,
Ready to run to hiding new
  With laughter when she found us soon.

Each laid on other a staying hand
  To listen ere we dared to look,
And in the hush we joined to make
  We heard, we knew we heard the brook.

A note as from a single place,
  A slender tinkling fall that made
Now drops that floated on the pool
  Like pearls, and now a silver blade.

 Revelation

(First published in 1913)

We make ourselves a place apart
     Behind light words that tease and flout,
But oh, the agitated heart
     Till someone find us really out.

’Tis pity if the case require
     (Or so we say) that in the end
We speak the literal to inspire
     The understanding of a friend.

But so with all, from babes that play
     At hide-and-seek to God afar,
So all who hide too well away
     Must speak and tell us where they are.

 To the Thawing Wind

(First published in 1913)

Come with rain, O loud Southwester!
Bring the singer, bring the nester;
Give the buried flower a dream;
Make the settled snowbank steam;
Find the brown beneath the white;
But whate’er you do tonight,
Bathe my window, make it flow,
Melt it as the ice will go;
Melt the glass and leave the sticks
Like a hermit’s crucifix;
Burst into my narrow stall;
Swing the picture on the wall;
Run the rattling pages o’er;
Scatter poems on the floor;
Turn the poet out of door.

 The Self-seeker

(First published in 1914)

“Willis, I didn’t want you here to-day:
The lawyer’s coming for the company.
I’m going to sell my soul, or, rather, feet.
Five hundred dollars for the pair, you know.”

“With you the feet have nearly been the soul;
And if you’re going to sell them to the devil,
I want to see you do it. When’s he coming?”

“I half suspect you knew, and came on purpose
To try to help me drive a better bargain.”

“Well, if it’s true! Yours are no common feet.
The lawyer don’t know what it is he’s buying:
So many miles you might have walked you won’t walk.
You haven’t run your forty orchids down.
What does he think?—How are the blessed feet?
The doctor’s sure you’re going to walk again?”

“He thinks I’ll hobble. It’s both legs and feet.”

“They must be terrible—I mean to look at.”

“I haven’t dared to look at them uncovered.
Through the bed blankets I remind myself
Of a starfish laid out with rigid points.”

“The wonder is it hadn’t been your head.”

“It’s hard to tell you how I managed it.
When I saw the shaft had me by the coat,
I didn’t try too long to pull away,
Or fumble for my knife to cut away,
I just embraced the shaft and rode it out—
Till Weiss shut off the water in the wheel-pit.
That’s how I think I didn’t lose my head.
But my legs got their knocks against the ceiling.”

“Awful. Why didn’t they throw off the belt
Instead of going clear down in the wheel-pit?”

“They say some time was wasted on the belt—
Old streak of leather—doesn’t love me much
Because I make him spit fire at my knuckles,
The way Ben Franklin used to make the kite-string.
That must be it. Some days he won’t stay on.
That day a woman couldn’t coax him off.
He’s on his rounds now with his tail in his mouth
Snatched right and left across the silver pulleys.
Everything goes the same without me there.
You can hear the small buzz saws whine, the big saw
Caterwaul to the hills around the village
As they both bite the wood. It’s all our music.
One ought as a good villager to like it.
No doubt it has a sort of prosperous sound,
And it’s our life.”

“Yes, when it’s not our death.”

“You make that sound as if it wasn’t so
With everything. What we live by we die by.
I wonder where my lawyer is. His train’s in.
I want this over with; I’m hot and tired.”

“You’re getting ready to do something foolish.”

“Watch for him, will you, Will? You let him in.
I’d rather Mrs. Corbin didn’t know;
I’ve boarded here so long, she thinks she owns me.
You’re bad enough to manage without her.”

“And I’m going to be worse instead of better.
You’ve got to tell me how far this is gone:
Have you agreed to any price?”

“Five hundred.
Five hundred—five—five! One, two, three, four, five.
You needn’t look at me.”

“I don’t believe you.”

“I told you, Willis, when you first came in.
Don’t you be hard on me. I have to take
What I can get. You see they have the feet,
Which gives them the advantage in the trade.
I can’t get back the feet in any case.”

“But your flowers, man, you’re selling out your flowers.”

“Yes, that’s one way to put it—all the flowers
Of every kind everywhere in this region
For the next forty summers—call it forty.
But I’m not selling those, I’m giving them,
They never earned me so much as one cent:
Money can’t pay me for the loss of them.
No, the five hundred was the sum they named
To pay the doctor’s bill and tide me over.
It’s that or fight, and I don’t want to fight—
I just want to get settled in my life,
Such as it’s going to be, and know the worst,
Or best—it may not be so bad. The firm
Promise me all the shooks I want to nail.”

“But what about your flora of the valley?”

“You have me there. But that—you didn’t think
That was worth money to me? Still I own
It goes against me not to finish it
For the friends it might bring me. By the way,
I had a letter from Burroughs—did I tell you?—
About my Cyprepedium reginæ;
He says it’s not reported so far north.
There! there’s the bell. He’s rung. But you go down
And bring him up, and don’t let Mrs. Corbin.—
Oh, well, we’ll soon be through with it. I’m tired.”

Willis brought up besides the Boston lawyer
A little barefoot girl who in the noise
Of heavy footsteps in the old frame house,
And baritone importance of the lawyer,
Stood for a while unnoticed with her hands
Shyly behind her.

“Well, and how is Mister——”
The lawyer was already in his satchel
As if for papers that might bear the name
He hadn’t at command. “You must excuse me,
I dropped in at the mill and was detained.”

“Looking round, I suppose,” said Willis.

“Yes,
Well, yes.”

“Hear anything that might prove useful?”

The Broken One saw Anne. “Why, here is Anne.
What do you want, dear? Come, stand by the bed;
Tell me what is it?” Anne just wagged her dress
With both hands held behind her. “Guess,” she said.

“Oh, guess which hand? My my! Once on a time
I knew a lovely way to tell for certain
By looking in the ears. But I forget it.
Er, let me see. I think I’ll take the right.
That’s sure to be right even if it’s wrong.
Come, hold it out. Don’t change.—A Ram’s Horn orchid!
A Ram’s Horn! What would I have got, I wonder,
If I had chosen left. Hold out the left.
Another Ram’s Horn! Where did you find those,
Under what beech tree, on what woodchuck’s knoll?”

Anne looked at the large lawyer at her side,
And thought she wouldn’t venture on so much.

“Were there no others?”

“There were four or five.
I knew you wouldn’t let me pick them all.”

“I wouldn’t—so I wouldn’t. You’re the girl!
You see Anne has her lesson learned by heart.”

“I wanted there should be some there next year.”

“Of course you did. You left the rest for seed,
And for the backwoods woodchuck. You’re the girl!
A Ram’s Horn orchid seedpod for a woodchuck
Sounds something like. Better than farmer’s beans
To a discriminating appetite,
Though the Ram’s Horn is seldom to be had
In bushel lots—doesn’t come on the market.
But, Anne, I’m troubled; have you told me all?
You’re hiding something. That’s as bad as lying.
You ask this lawyer man. And it’s not safe
With a lawyer at hand to find you out.
Nothing is hidden from some people, Anne.
You don’t tell me that where you found a Ram’s Horn
You didn’t find a Yellow Lady’s Slipper.
What did I tell you? What? I’d blush, I would.
Don’t you defend yourself. If it was there,
Where is it now, the Yellow Lady’s Slipper?”

“Well, wait—it’s common—it’s too common.”

“Common?
The Purple Lady’s Slipper’s commoner.”

“I didn’t bring a Purple Lady’s Slipper
To You—to you I mean—they’re both too common.”

The lawyer gave a laugh among his papers
As if with some idea that she had scored.

“I’ve broken Anne of gathering bouquets.
It’s not fair to the child. It can’t be helped though:
Pressed into service means pressed out of shape.
Somehow I’ll make it right with her—she’ll see.
She’s going to do my scouting in the field,
Over stone walls and all along a wood
And by a river bank for water flowers,
The floating Heart, with small leaf like a heart,
And at the sinus under water a fist
Of little fingers all kept down but one,
And that thrust up to blossom in the sun
As if to say, ‘You! You’re the Heart’s desire.’
Anne has a way with flowers to take the place
Of that she’s lost: she goes down on one knee
And lifts their faces by the chin to hers
And says their names, and leaves them where they are.”

The lawyer wore a watch the case of which
Was cunningly devised to make a noise
Like a small pistol when he snapped it shut
At such a time as this. He snapped it now.

“Well, Anne, go, dearie. Our affair will wait.
The lawyer man is thinking of his train.
He wants to give me lots and lots of money
Before he goes, because I hurt myself,
And it may take him I don’t know how long.
But put our flowers in water first. Will, help her:
The pitcher’s too full for her. There’s no cup?
Just hook them on the inside of the pitcher.
Now run.—Get out your documents! You see
I have to keep on the good side of Anne.
I’m a great boy to think of number one.
And you can’t blame me in the place I’m in.
Who will take care of my necessities
Unless I do?”

“A pretty interlude,”
The lawyer said. “I’m sorry, but my train—
Luckily terms are all agreed upon.
You only have to sign your name. Right—there.”

“You, Will, stop making faces. Come round here
Where you can’t make them. What is it you want?
I’ll put you out with Anne. Be good or go.”

“You don’t mean you will sign that thing unread?”

“Make yourself useful then, and read it for me.
Isn’t it something I have seen before?”

“You’ll find it is. Let your friend look at it.”

“Yes, but all that takes time, and I’m as much
In haste to get it over with as you.
But read it, read it. That’s right, draw the curtain:
Half the time I don’t know what’s troubling me.—
What do you say, Will? Don’t you be a fool,
You! crumpling folkses legal documents.
Out with it if you’ve any real objection.”

“Five hundred dollars!”

“What would you think right?”

“A thousand wouldn’t be a cent too much;
You know it, Mr. Lawyer. The sin is
Accepting anything before he knows
Whether he’s ever going to walk again.
It smells to me like a dishonest trick.”

“I think—I think—from what I heard to-day—
And saw myself—he would be ill-advised——”

“What did you hear, for instance?” Willis said.

“Now the place where the accident occurred——”

The Broken One was twisted in his bed.
“This is between you two apparently.
Where I come in is what I want to know.
You stand up to it like a pair of cocks.
Go outdoors if you want to fight. Spare me.
When you come back, I’ll have the papers signed.
Will pencil do? Then, please, your fountain pen.
One of you hold my head up from the pillow.”

Willis flung off the bed. “I wash my hands—
I’m no match—no, and don’t pretend to be——”

The lawyer gravely capped his fountain pen.
“You’re doing the wise thing: you won’t regret it.
We’re very sorry for you.”

Willis sneered:
“Who’s we?—some stockholders in Boston?
I’ll go outdoors, by gad, and won’t come back.”

“Willis, bring Anne back with you when you come.
Yes. Thanks for caring. Don’t mind Will: he’s savage.
He thinks you ought to pay me for my flowers.
You don’t know what I mean about the flowers.
Don’t stop to try to now. You’ll miss your train.
Good-bye.” He flung his arms around his face.

 The Vanishing Red

(First published in 1916)

He is said to have been the last Red Man
In Acton. And the Miller is said to have laughed—
If you like to call such a sound a laugh.
But he gave no one else a laugher’s license.
For he turned suddenly grave as if to say,
“Whose business,—if I take it on myself,
Whose business—but why talk round the barn?—
When it’s just that I hold with getting a thing done with.”
You can’t get back and see it as he saw it.
It’s too long a story to go into now.
You’d have to have been there and lived it.
Then you wouldn’t have looked on it as just a matter
Of who began it between the two races.

Some guttural exclamation of surprise
The Red Man gave in poking about the mill
Over the great big thumping shuffling mill-stone
Disgusted the Miller physically as coming
From one who had no right to be heard from.
“Come, John,” he said, “you want to see the wheel pit?”

He took him down below a cramping rafter,
And showed him, through a manhole in the floor,
The water in desperate straits like frantic fish,
Salmon and sturgeon, lashing with their tails.
Then he shut down the trap door with a ring in it
That jangled even above the general noise,
And came up stairs alone—and gave that laugh,
And said something to a man with a meal-sack
That the man with the meal-sack didn’t catch—then.
Oh, yes, he showed John the wheel pit all right.

Nothing Gold Can Stay

(First published in 1923) 

Nature’s first green is gold,
Her hardest hue to hold.
Her early leaf’s a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

 Stopping by the Woods on a Snowy Evening

(First publsihed in 1923)

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Our Singing Strength

(First publsihed in 1923)

It snowed in spring on earth so dry and warm
The flakes could find no landing place to form.
Hordes spent themselves to make it wet and cold,
And still they failed of any lasting hold.
They made no white impression on the black.
They disappeared as if earth sent them back.
Not till from separate flakes they changed at night
To almost strips and tapes of ragged white
Did grass and garden ground confess it snowed,
And all go back to winter but the road.
Next day the scene was piled and puffed and dead.
The grass lay flattened under one great tread.
Borne down until the end almost took root,
The rangey bough anticipated fruit
With snowball cupped in every opening bud.
The road alone maintained itself in mud,
Whatever its secret was of greater heat
From inward fires or brush of passing feet.

In spring more mortal singers than belong
To any one place cover us with song.
Thrush, bluebird, blackbird, sparrow, and robin throng;
Some to go further north to Hudson's Bay,
Some that have come too far north back away,
Really a very few to build and stay.
Now was seen how these liked belated snow.
the field had nowhere left for them to go;
They'd soon exhausted all there was in flying;
The trees they'd had enough of with once trying
And setting off their heavy powder load.
They could find nothing open but the road.
So there they let their lives be narrowed in
By thousands the bad weather made akin.
The road became a channel running flocks
Of glossy birds like ripples over rocks.
I drove them under foot in bits of flight
That kept the ground, almost disputing right
Of way with me from apathy of wing,
A talking twitter all they had to sing.
A few I must have driven to despair
Made quick asides, but having done in air
A whir among white branches great and small
As in some too much carven marble hall
Where one false wing beat would have brought down all,
Came tamely back in front of me, the Drover,
To suffer the same driven nightmare over.
One such storm in a lifetime couldn't teach them
That back behind pursuit it couldn't reach them;
None flew behind me to be left alone.

Well, something for a snowstorm to have shown
The country's singing strength thus brought together,
That though repressed and moody with the weather
Was none the less there ready to be freed
And sing the wildflowers up from root and seed.

 For Once, Then Something

(First published in 1920)

Others taunt me with having knelt at well-curbs
Always wrong to the light, so never seeing
Deeper down in the well than where the water
Gives me back in a shining surface picture
Me myself in the summer heaven godlike
Looking out of a wreath of fern and cloud puffs.
Once, when trying with chin against a well-curb,
I discerned, as I thought, beyond the picture,
Through the picture, a something white, uncertain,
Something more of the depths—and then I lost it.
Water came to rebuke the too clear water.
One drop fell from a fern, and lo, a ripple
Shook whatever it was lay there at bottom,
Blurred it, blotted it out. What was that whiteness?
Truth? A pebble of quartz? For once, then, something.

 

Sunday, 13 March 2022

When You Meet A Member Of The Ku Klux Klan


 

Robert L. Poston (1921)

When you meet a member of the Ku Klux Klan,
Walk right up and hit him like a natural man;
Take no thought of babies he may have at home,
Sympathy’s defamed when used upon his dome.

Hit him in the mouth and push his face right in,
Knock him down a flight of steps and pick him up again.

Get your distance from him and then take a running start,
Hit him, brother, hit him, and please hit the scoundrel hard.

Pour some water on him, bring him back to life once more
Think of how he did your folks in the days of long ago;
Make a prayer to heaven for the strength to do the job,
Kick him in the stomach, he, a low, unworthy snob.

Call your wife and baby out to see you have some fun,
Sic your bulldog on him for to see the rascal run.

Head him off before he gets ten paces from your door,
Take a bat of sturdy oak and knock him down once more.

This time you may leave him where he wallows in the sand,
A spent and humble member of the Ku Klux Klan.

 



___________________________________________________

This poem by Robert L. Poston is an excellent demonstration on the importance of a public domain system. Despite its obvious merits it and its author were obscure for decades. It wasn't until the book of poems it was published in had its copyright term expire that it became famous when the book was scanned. The poem first became notable as an image on tumblr and continued to be shared and circulated from there.

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