Wednesday, 18 March 2026

1932: The Candidate

 

A French two panel comic. Left panel a humble orator begs the citizenry for support. "Voters! I'm not going to beat around the bush! I promise you the moon! I'll give it to you I swear!"  Right panel, a smug and triumphant politician climbs the stares of power.  Voters - "Your promise, the moon! We must have the moon!"  The Elected "The moon? Here it is!" He pulls down his trousers and bares his arse to the public.

Searching through my disorganised archive I stumbled upon this political cartoon. I thought I'd lost it years ago. It was published in the April 1932 issue of L'en Dehors (In and Out). For me it is the best political cartoon in existence. It conveys its message clearly through imagery, panels and short dialogue, there's no need to overlabel it.

Sorry to say its cynical point of view has been backed up by world history. As to why so many politicians show two different sides before and after their election, well there's many reasons offered by scholars. The more cynical holds that they're all like Tartempion, shameless liars, other more generous or gullible if you'd like view political power as a form built through compromise, compare a party manifesto to its record in power and you find a string of unfulfilled promises.

However you think of it, remember Tartempion's promise of the Moon, next time you're asked for your vote.

Sunday, 1 March 2026

1933: The Free Peoples of Europe!

 

Black and white sketch of women tied to posts made to look like factory chimnies.

Another art appreciation post. This one took a bit for  me to interpret its meaning. This is The Free Peoples of Europe! Published in January 1933 in the newspaper Der Wahre Jacob (The True Jacob) by Willibald Krain. 

The sketch style caught my attention and I was reasonably sure what the words said, but I had to look into the author and the publication to make sure. I am fairly confident that the intended meaning is a critique of the "Dicatatorship of Capital" concept. The women are the peoples of Europe all of whom are tied to factory chimneys, to me this represents how capitalism dominates people through work even if their nations are politically free.

Here's my reasoning.

The True Jacob was a satirical biweekly publication affiliated with the Social Democratic Party (SPD), and was published from 1879 til February 1933, meaning this appeared in one of the last editions.

January 1933 was when Hitler became Chancellor and it wasn't long before the publications of enemy political organisations were banned.

Willibald Krain was born in 1886 and died in 1945. He spent most of his artistic career as a press cartoonist working for liberal and socialist publications. When the Nazis took control of Germany he found himself under suspicion and banned from working. 

In 1944 he found work again producing antisemitic cartoons for the satirical publication Kladderadatsch which at the time was a far right publication, ironic since it was founded in 1848 by a Jewish merchant family and had been a liberal paper before being sold to an industrialist after the First World War. It ceased publication in 1944 as Germany's deteriorating position throttled the economy.

Willibald Krain again out of work was conscripted into the Volkssturm (People's Storm) a militia made up of old men, young boys and war wounded. Krain did not see combat but was captured by the Soviet Army, during transport he was shot and died from his injury shortly after release.


Red ink sketch of a working man holding a loft a banner. Helmets and other symbols of militarism litter the floor around him.
July 1925, The 1st International Workers Olympiad in Frankfurt am Main

This is an example of the material he produced for the SPD. The Workers Olympiad was a series of left wing alternatives to Olymlpics which was seen as too nationalistic.

Black and white sketch of two silhouettes in a window.
People in a hotel, a new novel by Vicki Baum

This is an advertisement for a novel by Vicki Baum. The novel was published in 1929 and released in English under the title Grand Hotel, which was optioned for a film in 1932.

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